Evening of the Reaper begins with a well-known slasher film state of affairs: a babysitter being stalked by a killer. The masked menace places on a giant present of toying along with her, leaving creepy notes that just about really feel like a prank till the hazard will get all too actual.
It’s a freaky opening sequence that indicators director and co-director Brandon Christensen (Nonetheless/Born, Z) is nicely accustomed to the horror tropes his film is leaning into—and you’ll inform he is aware of his viewers will choose up on them too.
Evening of the Reaper‘s primary reference level is, clearly, Halloweenthe mothership of all babysitter horror films. It’s set within the early Eighties—the period of Pat Benatar bangers on MTV—slightly later than 1978’s Halloween. However advancing a number of years means entry to barely extra superior expertise, particularly camcorders, a key plot gadget in addition to a stylistic affect. The opening credit crackle with static “monitoring” strains, and VHS tapes are vital all through.
The primary occasions of the movie choose up a while after the babysitter’s demise. We meet primary character Deena (Gen v‘s Jessica Clement) as she’s strolling down a quiet road festooned with Halloween decorations; the digital rating additional underlines the Laurie Strode comparisons. Deena’s residence from school, dutifully having what’s clearly a strained go to along with her dad and mom. When her high-school bestie, who’s nonetheless residing of their hometown, will get sick, Deena agrees to assist her out by stepping in to look at the native sheriff’s younger son for the night time.
Right here we go once more, the viewer may assume—and certainly, Evening of the Reaper does appear to be organising the same destiny for Deena because the woman within the opening scene. However there’s additionally a parallel storyline to unwind, as Sheriff Arnold (Ryan Robbins) begins receiving packages that lead him on a macabre scavenger hunt.
It appears greater than attainable that whoever killed the woman within the opening is again for extra sinister taunting. Arnold remarks at one level, “Somebody’s attempting to inform me one thing.” However precisely what that message is (and who’s sending it) varieties Evening of the Reaper‘s central thriller.
As Evening of the Reaper progresses, the strain and dread construct in each tales. Deena’s gig watching little Max (Max Christensen) devolves from a playful sport of hide-and-seek to an escalation of terror as doorways slowly creak open, objects get rearranged by unseen palms, and a shadowy determine lurks within the woods simply past the yard.
Sheriff Arnold, in the meantime, freely engages in some jaw-droppingly unprofessional conduct as he puzzles collectively a string of clues, particularly as soon as he realizes the babysitter’s chilly case isn’t the one crime on the desk. There are additionally hints at one other demise within the current previous that’s way more private to him.
To share extra concerning the plot twists that observe would compromise a lot of what makes Evening of the Reaper pleasurable, however it’s not a spoiler to say it’s extra of a horror whodunit than, say, one thing that drags its babysitting heroine into wild Home of the Satan territory.
Halloween is the primary affect right here, however found-footage horror additionally makes its mark, as do different slasher collection, together with Scream. If the ultimate reveals get slightly too talky as Christensen hurries to clarify all that’s come earlier than, you must admire the trouble to fill in as many blanks as attainable.
Standout performances within the solid come from Clement because the resourceful Deena, in addition to Summer season H. Howell—quickly to be seen as Carrie White in Mike Flanagan’s Carrie collection—who makes essentially the most of her transient display time as the primary sufferer.
Evening of the Reaper streams on Shudder beginning in the present day, September 19.
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